ARIRANG: Forgotten Legacy behind BTS’s World Tour

When BTS chose ARIRANG as the name of their 2026 world tour, many fans immediately recognized the reference to Korea’s most beloved folk song. Yet hidden beneath the tour’s title may be a remarkable story that stretches back more than a century—a story of seven young Koreans, a historically Black American university, and a song that crossed oceans long before K-pop existed.

In 1896, seven Korean students arrived in the United States after fleeing Japan and running out of money in Vancouver. They were rescued by the Korean minister to the United States, Suh Kwang Bum, who personally funded their travel to Washington, D.C., Howard University. This historically Black institution uniquely offered academic asylum and non-discriminatory admission at a time when racial barriers limited access for many people of color. The students included; Ahn Jeong Sik, Lee Hee Cheol, Son Rong, Im Byung Goo, Lee Bum Su, Kim Hun Sik, and Eyo Byung Hyun.

Far from home and navigating an unfamiliar culture, the students found support, friendship, and community among Howard’s faculty and students. According to historical accounts, one day the young Koreans were asked to sing. Unable to perform English-language songs, they shared music from their homeland instead. Among the songs they sang was Arirang: a tune that carried memories of Korea, longing, resilience, and identity. Over generations, Arirang had become a cultural touchstone that connected people through moments of hardship and change. When the students sang it in America, the song became something more: a bridge between cultures separated by language, geography, and history. Sometime later, three of the students recorded the song with the help of ethnologist Alice Cunningham Fletcehr, creating what is believed to be the earliest known recording of “Arirang” Korean folk music in America.

More than 130 years later, the parallels are striking. Seven Korean students carried Arirang across the Pacific in 1896. Seven members of BTS are carrying it across the world in 2026. Both journeys speak to the power of cultural exchange and the enduring ability of music to connect people across boundaries. BTS’s choice of ARIRANG is especially significant because the group has openly described the project as a return to their Korean roots, drawing inspiration from the folk song’s themes of longing, love, and identity. The title reflects a broader embrace of Korean heritage at a moment when BTS once again stands before a global audience.

For many fans, ARIRANG represents BTS’s long-awaited return after years apart. But it may also echo a lesser-known chapter of history—one in which seven young Koreans crossed an ocean carrying the same song in their hearts and shared it with a world that was only beginning to listen. In that sense, ARIRANG is more than a tour title. It is a reminder that Korean culture has been traveling, inspiring, and building bridges far longer than the age of K-pop. The song that once connected strangers in a university gathering over a century ago now resonates in stadiums around the world, proving that some stories—and some melodies—never stop finding new audiences.

 

– Karen Mwenda

 

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